Fully re-done in Finale notation! A four movement suite (Anthem, Dance, Lullaby, March) for unaccompanied trombone quartet.

Richard DeRosa has written a beautiful masterpiece on this traditional Christmas favorite. A tale of three kings making their journey towards Christ, all bearing gifts. Features solos on Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, and Piano. 5-4-4-4

Si! Si! - M.F. (Edited) is Don Rader’s clever Latin tune that was arranged for and recorded by the Maynard Ferguson Band on the Roulette CD Si! Si! - M.F.

Crunch is yet another brilliant original in the growing, much-admired catalog of Patty Darling. It is set in a somewhat laid-back swing feel with solos space for trumpet, baritone saxophone, trombone and bass.

Sweet Spot, one of Bill Holman’s originals written for his own band (a feature for the late Carl Saunders) starts out easy with a cool vamp-like intro leading into the trumpet solo.

Fully re-done in Finale notation! This chart was based on the music of Blood Sweat and Tears.

Fully re-done in Finale notation! Exactly as recorded on the CD "Stan Kenton Plays Chicago,"

Fully re-done in Finale notation! Written in memory of Stan Kenton.

Features trombone soloist. 5-4-4-5 (opt. percussion)

This new composition is dedicated to John Harmon, an extraordinary Wisconsin-based composer, arranger, and educator. 5-5-4-4

The Tenth Planet is built around today’s fascination with our universe and beyond. Be prepared to surprise and please your band and audiences with something that is fresh and different. 5-5-5-5

The Rise and Fall of a Short Fugue was written for and recorded by the Stan Kenton Orchestra on the CD “Stan Kenton Plays Chicago” on the Creative World label. 5-5-5-3 w/flute doubles

Tiburon was written by the late, great composer/arranger Bill Holman. It is recorded on the album Kenton ’76. 5-5-5-3

Never Will I Marry is a terrific Bill Holman arrangement that he wrote for the Woody Herman Band and is recorded on the “My Kind of Broadway” album. It’s an up tempo excursion full of Bill’s clever, musical and exciting writing.

Fully done in Finale notation! Exactly as recorded on the CD "Stan Kenton Plays Chicago" (5-5-5-3)