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  As recorded on the brilliant recording "A Dream Deferred" (Flying Dutchman CYL2-1449), by the Oliver Nelson Orchestra.
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Gene Roland wrote for the Stan Kenton Orchestra for almost the entire history of the Kenton Band. He wrote the entire “Adventure in Blues” album for that band, and this is just one of many highly original, swinging charts on that recording. This is the edited version written for standard big band instrumentation. There is also the Pro version available with original instrumentation. Bob Curnow’s edition of this eases some of the challenges of the original along with changing the instrumentation. It makes this a lot more fun to play. Alto sax and trumpet are soloists on this medium blues swinger. Roland at his best! 5-4-4-4
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Hear The Music! See The Music!
Gene Roland wrote for the Stan Kenton Orchestra for almost the entire history of the Kenton Band. He wrote the entire “Adventure in Blues” album for that band, and this is just one of many highly original, swinging charts on that recording. This is the edited version written for standard big band instrumentation. There is also the Pro version available with original instrumentation. Bob Curnow’s edition of this eases some of the challenges of the original along with changing the instrumentation. It makes this a lot more fun to play. Alto sax and trumpet are soloists on this medium blues swinger. Roland at his best! 5-4-4-4
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Written with
the younger band in mind, this fun, easy-to-play chart can be performed as
written or used as a tool to reinforce ear training and improvising. There is ample solo space for alto saxophone,
trumpet, and guitar and can be played with a swing or hip hop feel. The reasonable brass ranges and flexibility
of this chart make it a must have for the younger band! (5-4-4-4)
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Holman has done a few arrangements of this tune, and this one may well be the best.
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Bill Holman's Big Bands have always been exciting and fresh, primarily due to his writing.
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The Maynard Ferguson Band performed a lot of Abene's charts over the years.
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Here is a slow, swinging, lovely, warm, relaxed composition.
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This Bill Holman chart was written for the Maynard Ferguson Orchestra.
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This great Sonny Rollins jazz standard features Holman's 1956 writing in a free-swinging, terrific chart.
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Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra (this was recorded on the "Stage Door Swings" CD).
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This chart is from the I REMEMBER BILL - a tribute to Bill Evans CD arranged and conducted by Don Sebesky! All of these incredible pieces require a mature band, soloists and woodwind doublers.
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This is a fast-paced, swinging chart, with lots of solo space for trumpet and baritone saxophone.
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This is a fast-paced, swinging chart, with lots of solo space for trumpet and baritone saxophone.
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As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium, swing chart on a great tune.
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As recorded by Count Basie on the Roulette LP (Vogue CD) The Legend, this is an up-tempo latin and swing chart.
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Set as a bright swing, and originally arranged for the WDR Big Band (Germany), Richard DeRosa's arrangement of the traditional Christmas carol "Angels We Have Heard On High" is an adventure from beginning to end!
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A happy, cookin, shuffle tune in the best Holman tradition! Very reasonable ranges and figures which just swing like crazy! Solo space for alto and baritone saxes and drums.
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This great chart is recorded on the "Tonight Show Band, Volume II " CD(Amherst Records).
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Also known as Patterns For Orchestra (as recorded on the Verve jazz masters 48 CD), this is one of Nelson's very interesting charts.
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Exactly as recorded on the Kenton / Capitol Retrospective CD (and the original Milestones LP).
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As recorded by the Count Basie Orchestra on “This Time by Basie,”
this arrangement by Billy Byers of Cole Porter’s melody is pure Basie. Opening
with a short Basie-ish figure, the band then swings at a bright tempo into a
terrific version of this great melody. Byers really understood what the Basie Band was, and this chart is no
exception. There is a solo for tenor saxophone. Moderate ranges for all. 5-4-4-4
$55.00
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This wonderful chart features a front line of tenor sax and trumpet stating the melody.
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Your audiences will love this clever baroque flavored chart.
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As recorded on the new Les Hooper Big Band CD "Out of the Woods"," this hot, blues shuffle is full of energy and good ol' down-home funky blues.
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There may not be a more beautiful ballad anywhere in jazz ensemble literature.
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A blues chart to end all blues charts! A very playable arrangement featuring as many soloists as you see fit.
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Set as a bright swing, this chart opens up with an energetic unison saxophone line, punctuated with brass hits.
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This was recorded by the Stan Kenton Orchestra on Stage Door Swings, and it is one of Lennie's wonderful charts on a great Broadway standard tune.
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Geoff's original music is the best! It is unique, very melodic and extremely interesting.
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As recorded on the new CD The Bill Holman Band Live, Holman has written a witty, musical, fun-filled feature for baritone saxophone.
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A wonderful, easy, swinging chart which is the centerpiece of the CD Shorty Rogers Courts the Count, a terrific big band tribute to Count Basie.
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In the Basie Tradition.
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This fantastic chart swings like all the greatest Basie classics. As recorded by the Count Basie Orchestra on “Broadway Hollywood… Basie’s Way,” Chico O’Farrill’s arrangement of Baubles, Bangles & Beads is a guaranteed hit with your players and audience. An iconic melody supports killer solos for Tenor Saxophone and Piano. Flute, Clarinet, and Bass Clarinet doubles give this chart a unique and wonderful character. 5-4-4-4
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As recorded on "Tonight Show Band, Vol.
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As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium-swing chart on a great tune.
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As recorded by the Oliver Nelson Orchestra, “Berlin Bei Nacht” is the 4th movement of the Impressions of Berlin suite.
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This was recorded on the Stan Kenton Orchestra CD Live at the Tropicana.
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As performed by the Stan Kenton Orchestra, here is one of the hippest charts from the Kenton book.
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As recorded on the CD "Back to Balboa" (and many other albums), this sensational piece moves along at a fast tempo, featuring solo space (the blues) for alto sax, tenor sax, trumpet, trombone and drums.
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New Updated 2019 format! This is the real thing, as written for and recorded by the Buddy Rich Band on the Big Swing Face CD!
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This chart is from the I REMEMBER BILL - a tribute to Bill Evans CD arranged and conducted by Don Sebesky! All of these incredible pieces require a mature band, soloists and woodwind doublers.
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The
brilliant Rich DeRosa wrote this
extraordinary original piece for the North
Texas One O’Clock Lab Band. It is recorded on the CD “ Lab 2018.” There are solos for soprano sax and piano. Sierra Music
decided to publish this because it is one of the most original, exciting and
ground-breaking pieces to be written for
big band in a long time. This is definitely music for a mature band. Once you hear this, you will want your
band to play it. Thank you Rich for keeping the jazz ensemble literature so
beautiful. 5-5-5-4 $75.00
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This chart is destined to become a best-seller because of its unique and exciting format .
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As recorded on the new Les Hooper Big Band CD "Out of the Woods"," this clever, quirky, swinging chart is terrific.
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As originally recorded by Count Basie on the Roulette LP (Vogue CD) "Kansas City Suite - the Music of Benny Carter", this is a medium tempo Swing chart featuring solos for tenor saxophone, trumpet and piano.
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This chart is the one that won Paul Ferguson the coveted IAJE Gil Evans Fellowship Award.
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Here is a really nice blues chart with fresh, interesting lines and great ensemble passages.
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This could be called Newer Than New, because Don just wrote this for John Pizzarelli's new band in New York.
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This chart is the exact, original one that Oliver Nelson wrote for his terrific recording More Blues and the Abstract Truth.
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As recorded on the BMG CD The Big Shorty Rogers Express, this is a terrific romp through a fast Swing, featuring solos by Alto Sax, Tenor Sax, Bari.
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This chart was recorded by the Count Basie Orchestra on the CD I Told You So (out-of-print).
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Everyone who hears this tune loves it! It has a neat, unique feel to it, and it is a wonderful teaching tool for young players.
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Can you imagine a chart which is this easy to play being played and recorded by Maynard Ferguson? Well, that just demonstrates how catchy and wonderful this chart is.
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Here is a slow, gutty, "down-home" type of blues written for and recorded by the Stan Kenton Orchestra on the Adventures In Blues album.
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Sierra Music is happy to be affiliated with Dan Haerle, noted composer/arranger, educator (University of North Texas) and pianist.
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As recorded on Portrait of Shorty, (including the best of West Coast jazz musicians such as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo, Conte Candoli and others) this is a great, up-tempo, swinging chart with lots of solo space for alto, tenor and baritone saxophones, trumpet, trombone, piano and drums.
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Boomerang
List Price: $55.00 Retail Price: $55.00
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This is a remarkable chart that features tenor saxophone throughout.
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West Chester University, PA .
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Sierra Music is proud to announce the addition of Boomerang to our ever-increasing catalogue of Billy Byers' classic tunes. 5-4-4-4
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Bill Holman wrote some of the best music played by the Stan Kenton Orchestra and "Boop Boo Be Doop" is surely one of those charts.
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This new
chart from Bob Curnow is sure to electrify your players and your audience! It
has all the elements…up tempo swing, tenor/trumpet melody with solo space for
each, drum solo, clever stop-time figures for the rhythm section, engaging
ensemble rhythmic passages, and dramatic dynamic climaxes. If you are looking for a show-stopping closer
for your next performance, this chart will not disappoint. (5-4-4-4)
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There were a number of sensational charts written in the 50's for the Bill Holman Band and the Terry Gibbs Band.
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As recorded by the Tonight Show Band on "Once More With Feeling" (Amherst), this wonderful chart is the hottest "flag-waver" of all time.
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Just what it sounds like .
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This great chart is recorded (1999) on the Azica CD "Swingin' the Blues.
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As Recorded by the Count Basie Orchestra on "Pop Goes the Basie." Call Me Irresponsible has that smooth, medium swing to get your listeners swaying back and forth. This chart is easy enough for most bands to play, but truly shines when performed with a Trombone soloist with charisma. 5-4-4-4
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When Bill Holman writes a feature for a player, especially in the Kenton Band, you know it will be wonderful.
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Drew uses theme and variation to take this marvelous, swinging melody into challenging, extensive and exciting places.
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Holman really gets into his imitative writing with this chart.
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Full of up-tempo energy, Oliver masterfully intertwines the melody in the saxophones with counter-lines from the brass to create an incredible tapestry of sound.
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Full of up-tempo energy, Oliver masterfully intertwines the melody in the saxophones with counter-lines from the brass to create an incredible tapestry of sound.
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As recorded by the Stan Kenton Orchestra on "Contemporary Concepts," this publication completes the goal of getting this entire watershed recording into print.
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Chicago is a high-energy, big band bebop arrangement on the popular standard that Mike wrote for Maynard Ferguson's band.
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There is always room for a jazz waltz, and you will love this one.
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This is a wonderful chart, an old tune in a new dress, as only Bill Holman can do it.
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The Count Basie Orchestra performed the music of Billy Byers for many, many years. His arrangement of "Come Fly With Me" is recorded on the Basie album Frankly Basie: Count Basie Plays the Hits of Frank Sinatra. Set in an up-tempo swing feel, Byers hits it hard from bar 1 and doesn't let up until the end of the chart.
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WOW! A sensational Dee Barton chart.
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If you have three hot trumpet players, this will be a great chart for you.
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This is exactly as recorded on the Hooper CD "Out of the Woods.
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Much like Neil Hefti's "Li'l Darlin'," this Billy Byers original exemplifies quiet, warm ensemble writing at its finest.
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Much like Neil Hefti's "Li'l Darlin'," this Billy Byers original exemplifies quiet, warm ensemble writing at its finest.
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Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library.
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Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time.
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Rarely does a piece turn up like this one.
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The Daily Dance was recorded by the Stan Kenton Orchestra on the CD "Birthday in Britain.
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Mulligan contributed only a few charts to the Kenton Library, and they are all classics.
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Bill Holman titled this one after the signs which used to be in the old-time dance halls around the country.
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Dee Barton's reputation as a composer for the Kenton band is superb.
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Johnny Richards is perhaps best known for his work with the Kenton band.
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This wonderful Ellington classic is scored by the great Tommy Newsom to feature alto sax throughout.
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Set as a medium-up swing feel, this chart features trumpet throughout and is exciting from beginning to end, including a great shout chorus to highlight the entire ensemble.
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This was written for Doc Severinsen to premier at the Midwest Band & Orchestra Conference.
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Arranged by Bill Holman and originally recorded by the Woody Herman Orchestra, featuring Stan Getz, on their album Live at the Concord Jazz Festival, "The Dolphin (El Delfrin)" is written in a beautiful Bossa Nova setting and features tenor saxophone throughout.
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This chart is not for the faint-of-heart.
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In usual Basie fashion, this chart swings its tail off with incredible ensemble passages, and provides for plenty of solo space for both tenor saxophonists to dual it out.
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Ellen has created a wild, fun-filled chart which moves seamlessly from an afro style 12/8 feel to a romp-stompin' swing feel.
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There has been an illegal lift of this chart available before, but this chart is the exact, original one that Oliver Nelson wrote for his terrific L.
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An easy-to-play blues with a very unique melody.
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A true Kenton Classic.
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As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, this lovely piece features piano and/or tenor sax (or whomever) in a medium-slow, lilting 12/8 feel.
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As recorded on the brilliant CD "The Legend " by the Count Basie Orchestra, this medium swing piece features solos for trumpet, trombone, piano and bass.
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Bill Holman's arrangement, from the Maynard Ferguson Band "Boy With Lots Of Brass" recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet.
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Bill Holman's arrangement, from the Maynard Ferguson Band "Boy With Lots Of Brass" recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet.
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Due to Covid-19 The Bob Curnow Big Band was not able to
record this piece live. What you will hear is a Finale midi playback. We ask
your understanding and look forward to being able to provide a recording of the
great Curnow Big Band in the near future
Hear The Music! See The Music!
Bob Curnow dedicates this to his
new grandson Eli whose middle name is Wolfgang. So, he had to have his own
tune, right? Based on a medium slow,
swinging feel, this chart moves quickly into a Basie-ish style with the tenors
and trombones stating the theme. The 2nd statement is surrounded
with lots of lines that weave in and out. This is followed by a tenor sax solo. The full
ensemble then sets up the following trombone solo. The ensemble once again
takes over for before the drums state some short solo passages. The chart ends
as it began, nice and easy. 5-5-4-4 $50.00
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This chart is recorded by the Oliver Nelson Orchestra on the Afro-American Sketches (Prestige CD).
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Nelson wrote an album for Johnny Hodges (Black, Brown and Beautiful, RCA) featuring the compositions of Duke Ellington and also some of his original things.
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Set in a contemporary pop/swing feel, this arrangement makes a wonderful contrast to any program.
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Also part of the Message from Newport album, this chart features tenor, trombone, and great contrapuntal writing with great changes and a terrific straight-ahead, swinging feeling.
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Russo always created wonderfully interesting (and challenging) arrangements of standard tunes.
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Sierra Music is publishing this piece with full score, parts and a facsimile of Lyle's original score with his autograph from that time. This is a very special publication for Sierra.
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An up-tempo be-bop type chart, with the clever, interesting writing we have come to expect from Les Hooper.
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There were a few Holman charts that were written for the Stan Kenton Orchestra which had disappeared over the years, seemingly lost forever.
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Recorded on the Hawthorne Nights LP (PABLO) by Zoot Sims, and a wonderful cast of players, this is a neat, medium swing tune which features tenor sax (naturally).
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An easy swing chart which was originally written for 4 flutes and bass clarinet in the woodwind section.
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This Al Cohn arrangement, from the Maynard Ferguson Band "Boy With Lots Of Brass" CD, is a wonderful medium-swing tune.
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This is one of the many wonderful charts arranged by Lennie for the Stan Kenton Orchestra.
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Here is a wonderful "Basie-ish" chart with a catchy melody set in an easy-swing tempo.
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Sierra continues to find the lost treasures from Maynard Ferguson's Birdland Dream Band Library.
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Another great chart from Maynard Ferguson's Birdland Dream Band Library.
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Finally, Slide Hampton's incredible music is in print.
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Finally, Slide Hampton's incredible music is in print.
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The Stan Kenton Orchestra was always an ideal showcase for the outstanding soloists within its ranks.
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A hard-swinging, shuffle blues (a la the great Thad Jones) with a fresh, happy feeling.
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This chart was originally included in the Full Nelson album and then the Jazz Masters 48: Oliver Nelson CD.
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Ernie Wilkins was one of the most successful contributors to Maynard Ferguson's amazing big band library.
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This is a great chart to feature your drummer and the entire ensemble! Starting out with a bombastic Eastern-sounding introduction (ala Genghis Khan), it then launches into a hard-driving minor blues stated by the trombone, trumpet and tenor saxophone.
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Stan Kenton had a certain touch in his arranging that stood out.
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This chart was recorded by the Count Basie Orchestra on the CD "I Told You So.
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This is movement 1 of Don's "Joyful Noise Suite" (a tribute to Duke Ellington).
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Finally, Slide Hampton's incredible music is in print.
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Benny Carter created a wealth of marvelous, swinging big band music," and this piece is no exception to that.
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Oliver Nelson delivers great arrangement after great arrangement, and this one is no exception! A quick, uptempo swing tune, "Gon Gong" is the perfect "opener" for any program.
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Here is another terrific chart from Shorty Rogers (as recorded on the "Portrait of Shorty" album).
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Sierra Music is pleased to present
yet another wonderful, contemporary composition by Patty Darling. She has provided us with many publications
ranging from our “Easy-to-Play” series to the “Radiohead Jazz Project”. This new piece from Patty is a slow swing in
3/4 with elements of sparsity and transcendence throughout along with an
abundance of solo space for flugelhorn that really intensifies this
sentiment. “Gratitude” is the perfect
contrasting piece for your program to add that element of variety every band
and audience needs. (5-4-4-4)
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A wonderfully quiet, pensive piece which fills a big void in today's big band jazz literature.
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This piece was taken from Nelson's original score.
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Oliver Nelson wrote this one for the Maynard Ferguson Band Library.
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Les comes up with another sensational showpiece for your band.
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What a great , fun-filled piece this is! Les has created a mythical character (in this case, the lead trombone player) who runs through a number of "musician jokes" while referring to his "brother.
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This great chart is recorded on the "Tonight Show Band, Volume II " CD (Amherst Records).
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A fun-filled, exciting chart on the old tune.
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As arranged by Quincy Jones for the album "Birth of a Band," this Sonny Stitt tune is a brilliant, straight-ahead chart that swings like crazy, featuring Q's outstanding ensemble writing.
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Due to Covid-19 The Bob Curnow Big Band was not able to
record this piece live. What you will hear is a Finale midi playback. We ask
your understanding and look forward to being able to provide a recording of the
great Curnow Big Band in the near future
Hear The Music! See The Music!
This Curnow original was inspired by the fact that there aren’t a lot of
bass features available for up-and-coming bassists. The tempo is set at about
100, and the chart opens up with your bass player soloing (written or improved)
for 12 bars before the band moves in with a cool, quiet, rich statement of the
theme. The bassist then solos (written or improvised) for another 24 bars
before the full band comes roaring in with a strong statement. The soloist then
continues for a bit before the band takes over again. The piece ends as it
began, with the band stating that cool statement of the theme to the end. Give
your bass player a shot. She (or he) deserves it. Two different bass parts are included; one
with a written solo throughout and one with just changes for the more mature
player. Moderate ranges for all makes
this a very accessible chart for most bands.
5-4-4-4 $50.00
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This is a bright, up-tempo chart in a contemporary framework.
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Many have tried, but few have been able to match the incredible swing that happens when you combine Billy Byers' arranging with the Count Basie Orchestra. Originally recorded on the Basie album Frankly Basie: Count Basie Plays the Hits of Frank Sinatra, "Hey, Jealous Lover" is a medium-swing chart that will excite your band and audiences alike!
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Talk about a Flag-Waver !!! The Maynard Ferguson Band recorded this on their Footpath Cafe CD.
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As recorded on the brilliant CD "Afrique" by the Count Basie Orchestra, this chart was originally written for a Jimmy Smith album.
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This piece was taken from Nelson's original score.
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This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013).
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