The Bob Curnow Big Band plays the music of Pat Metheny, Lyle Mays, Steely Dan, The Yellowjackets, Bob Curnow, Patty Darling, Rich DeRosa, Don Goodwin, Bill Holman and Vern Sielert.

Fully re-done in Finale notation! A four movement suite (Anthem, Dance, Lullaby, March) for unaccompanied trombone quartet.

Due to Covid-19 The Bob Curnow Big Band was not able to record this piece live. What you will hear is a Finale midi playback. We ask your understanding and look forward to being able to provide a recording of the great Curnow Big Band in the near future

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Bob Curnow dedicates this to his new grandson Eli whose middle name is Wolfgang. So, he had to have his own tune, right? Based on a medium slow, swinging feel, this chart moves quickly into a Basie-ish style with the tenors and trombones stating the theme. The 2^nd statement is surrounded with lots of lines that weave in and out. This is followed by a tenor sax solo. The full ensemble then sets up the following trombone solo. The ensemble once again takes over for before the drums state some short solo passages. The chart ends as it began, nice and easy. 5-5-4-4 $50.00

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Gene Roland wrote for the Stan Kenton Orchestra for almost the entire history of the Kenton Band. He wrote the entire “Adventure in Blues” album for that band, and this is just one of many highly original, swinging charts on that recording. This is the edited version written for standard big band instrumentation (works great). This chart features the trombone section in a medium tempo blues. The Kenton Band played this chart for years. The soloist, of course, is your top trombonist. The piece was originally written for Bob Fitzpatrick who played on the Kenton Band and was Stan’s lead trombonist for many years. You will love this adaptation, which makes the chart very playable for most bands. 5-4-4-3 $50.00

Due to Covid-19 The Bob Curnow Big Band was not able to record this piece live. What you will hear is a Finale midi playback. We ask your understanding and look forward to being able to provide a recording of the great Curnow Big Band in the near future

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This Curnow original was inspired by the fact that there aren’t a lot of bass features available for up-and-coming bassists. The tempo is set at about 100, and the chart opens up with your bass player soloing (written or improved) for 12 bars before the band moves in with a cool, quiet, rich statement of the theme. The bassist then solos (written or improvised) for another 24 bars before the full band comes roaring in with a strong statement. The soloist then continues for a bit before the band takes over again. The piece ends as it began, with the band stating that cool statement of the theme to the end. Give your bass player a shot. She (or he) deserves it. Two different bass parts are included; one with a written solo throughout and one with just changes for the more mature player. Moderate ranges for all makes this a very accessible chart for most bands. 5-4-4-4 $50.00

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Gene Roland wrote for the Stan Kenton Orchestra for almost the entire history of the Kenton Band. He wrote the entire “Adventure in Blues” album for that band, and this is just one of many highly original, swinging charts on that recording. This is the edited version written for standard big band instrumentation. There is also the Pro version available with original instrumentation. Bob Curnow’s edition of this eases some of the challenges of the original along with changing the instrumentation. It makes this a lot more fun to play. Alto sax and trumpet are soloists on this medium blues swinger. Roland at his best! 5-4-4-4

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Gene Roland wrote for the Stan Kenton Orchestra for almost the entire history of the Kenton Band. He wrote the entire “Adventure in Blues” album for that band, and this is just one of many highly original, swinging charts on that recording. This is the edited version written for standard big band instrumentation. There is also the Pro version available with original instrumentation. Bob Curnow’s edition of this eases some of the challenges of the original along with changing the instrumentation. It makes this a lot more fun to play. Alto sax and trumpet are soloists on this medium blues swinger. Roland at his best! 5-4-4-4

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As recorded by the Count Basie Orchestra on “This Time by Basie,” this arrangement by Billy Byers of Cole Porter’s melody is pure Basie. Opening with a short Basie-ish figure, the band then swings at a bright tempo into a terrific version of this great melody. Byers really understood what the Basie Band was, and this chart is no exception. There is a solo for tenor saxophone. Moderate ranges for all. 5-4-4-4 $55.00

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Recorded on the “The New Sound of Maynard Ferguson and his Orchestra 1964,” this is an edited version of the chart (instrumentation 5 saxophones, 4 trumpets, 4 trombones, Piano, Guitar, Bass and Drums) as composed by one of the most creative writers in jazz history, Willie Maiden. This v. works very well. What you'll be hearing is the professional version recorded by Maynard. Curnow has taken Maynard’s super-high lines and incorporated them into the chart so that there are no super-human concerns in that respect. There is also the Pro version available with original instrumentation. This piece has a great feel to it, moving through a lovely melody to solo space for many players and back to a cool, quiet ending. This one will make you and your audience want to dance. 5-4-4-4 $55.00

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Recorded on the “The New Sound of Maynard Ferguson and his Orchestra 1964,” this is the original version of the chart (instrumentation 4 saxophones, 4 trumpets, 2 trombones, Piano, Bass and Drums) as composed by one of the most creative writers in jazz history, Willie Maiden. There is also an edited version available with standard instrumentation. This piece has a great feel to it, moving through a lovely melody to solo space for many players and back to a cool, quiet ending. This one will make you and your audience want to dance. 4-4-2-3

This chart was commissioned for the Fred Sturm Jazz Celebration Weekend and is one of Patty’s best charts yet. Patty Darling’s writing career has skyrocketed because of her ability to write relevant, interesting contemporary music, especially for younger players. This piece is based on a terrific Hip Hop / Swing groove that you won’t be able to get out of your head. It’s a guarantee that your band will love this new piece by Patty. Solos are indicated for trumpet and guitar (or piano). You’ll hear echoes of Patty’s chart on the Radiohead classic “Idioteque” without all the demands of that chart. Moderate ranges for all makes this a very accessible chart for most bands. 5-5-4-5 (opt. vibes) $50.00

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Although Sierra Music published the original version of this cool chart in the past, Bob Curnow decided to edit it and make the Stan Kenton Orchestra piece a lot easier and fun to play. The instrumentation has been changed to standard big band, and the demands for extreme high trumpet playing have been altered (works very well). The original of this great Latin chart was recorded on “Viva Kenton.” This is a laid-back, moderate tempo tune that brings you the best of Kenton and Roland. You’ll love it.

5-4-4-4 $55.00

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The Count Basie Orchestra did-does the “barn burner” charts better than almost any other big band. This Billy Byers original starts out hot and never cools down. The tenor saxophone is the chosen soloist, and the full ensemble writing just keeps on keepin’ on.

Talk about lifting your audience out of their chairs; WOW! This one will do it. 5-4-4-4 $55.00

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As recorded on “Count Basie Picks the Winners,” this wonderful Billy Byers chart takes this lovely standard into a whole new world. There is a bit of flute to be played by your 1^st Tenor, there is a trumpet and piano solo, and there is the exquisite writing of Byers, creating great shout choruses and subtle voicing for the Basie Band. You will love this one. Very moderate ranges for all. 5-4-4-4 $55.00

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Once again Billy Byers has created the quintessential, original chart for the Count Basie Orchestra. This one is recorded on “Basie Land.” The easy swing feel/tempo makes this piece very accessible for most bands. There is a bit of flute in two saxophone parts. There are solos for tenor and trumpet and piano. Of course there is the required, masterful “shout chorus” that leads to a quiet, cool ending. Moderate ranges for all makes this a very accessible chart for most bands. 5-4-4-4 $55.00

This fantastic chart swings like all the greatest Basie classics. As recorded by the Count Basie Orchestra on “Broadway   Hollywood… Basie’s Way,” Chico O’Farrill’s arrangement of Baubles, Bangles & Beads is a guaranteed hit with your players an  audiences. An iconic melody supports killer solos for Tenor Saxophone and Piano. Flute, Clarinet, and Bass Clarinet doubles give this chart a unique and wonderful character. 5-4-4-4

As Recorded by the Count Basie Orchestra on "Pop Goes the Basie." Call Me Irresponsible has that smooth, medium swing to get your listeners swaying back and forth. This chart is easy enough for most bands to play, but truly shines when performed with a Trombone soloist with charisma. 5-4-4-4

As recorded by the Count Basie Orchestra on "Basie Picks the Winners." I'll Get By starts soft, then shouts to get your audience's attention. A subtle line of piano solos lets your pianist carry that Basie harmony throughout this short, but wonderful, chart. 5-4-4-4

As Recorded by the Count Basie Orchestra on "Pop Goes the Basie." Call Me Irresponsible features plentiful snippets of solos for Tenor 1, Trumpet 4, Trombone 1, and Piano. Growling plunger solos form a dialogue between Trumpet and Trombone throughout, while a melodious Tenor Sax line carries the tune. 5-4-4-4

As Recorded by the Count Basie Orchestra on "Frankly Basie - Count Basie Plays the Hits of Frank Sinatra." A slow swing by bucket muted brass carries this song smoothly along. Long, open solos for Trumpet 4 and Piano will give your talented players space to show their creativity.  5-4-4-4

Bob's fresh rendition of one of the most popular Steely Dan charts ever. “Home At Last,” recorded on the album “AJA,” has solo space for Tenor and Trumpet. Reasonable brass ranges and an easy shuffle-rock feel make this an accessible Medium chart. 5-4-4-4

Patty Darling brings us yet another great contemporary chart, incorporating multiple solo opportunities. Have fun and enjoy the drive! 5-4-4-4

Henderson and Brown's "The Thrill is Gone," arranged here by Don Dimick for the UNT One O'Clock Lab Band. A strong Tenor Sax soloist can really make this piece their own. Piano is tacit throughout. This moving ballad makes for a wonderful interlude in any set.  5-5-5-2

Rich DeRosa wrote this magnificent piece as a tribute to Bob Curnow. The piece moves from a celebratory feast of sound into a contemporary fusion feel, a guitar solo, more wonderful ensemble writing and ends with an amazing splash of the best big band writing you’ll find anywhere, anytime. 5-5-5-4.

Once again, Patty Darling "nails it." This wonderful and truly very exciting chart, based on a powerful half-time funk feel is, yet again, an amazing chart by this incredible composer. The solo features either (or both) piano or trumpet. As with most of Patty's music, the brass ranges are quite reasonable, making this a very playable chart. 5-4-4-4.

Sierra Music is proud to announce the addition of Boomerang to our ever-increasing catalogue of Billy Byers' classic tunes. 5-4-4-4

This arrangement is a full band version based on Willie Maiden's superb arrangement for Maynard's smaller band (4 saxes, 4 tpts., 2 trbs.). It does not require the extreme high trumpet playing of the pro version.   5-4-4-3

As recorded on "Let's Face the Music and Dance" and "Dancing Sessions" by the Maynard Ferguson Orchestra. This arrangement is the original one, based on Willie Maiden's superb arrangement for Maynard's smaller band (4 saxes, 4 tpts., 2 trbs.). 4-4-2-3

Bill Holman wrote this arrangement for the Kenton Orchestra in the early '60's to feature Marvin Stamm on trumpet (of course). Kenton never recorded it, so this is a brand-new chart to most people. No guitar. 5-4-4-3

Bob Curnow has taken fragments of a piece written during his grad school days and developed a very attractive and unique chart, featuring solos for tenor saxophone, trumpet, and drums. Very dramatic shout choruses and the solos are surrounded by a quiet beginning and ending. 5 4-4-4

Bob Curnow took a fresh approach to one of the Yellowjackets' most popular recordings. Russell Ferrante's composition allows for a full-throated arrangement featuring the original feel/style (kind of jazz fusion-ish) and solo space for trumpet and soprano saxophone. 5-4-4-4

Vern Sielert does it again! Here is a romp-stompin' medium blues that will please you, your band, and your audiences. Written as a tribute to Bob Curnow. 5-5-4-4

Composed by Don Goodwin, Jr. for the Spokane Jazz Orchestra in honor of Bob Curnow, this very unique, interesting, and exciting piece is a thrill to play and hear. Don set some wonderful melodic thoughts in a medium tempo 5/4 meter that practically plays itself. 5-4-4-4

This extraordinarily popular Metheny/Mays composition is arranged by Bob Curnow, adding to his many successful arrangements of music from the Pat Metheny Group recordings (49 and counting!). The original style/feel is maintained for the most part. 5-4-4-4

Si! Si! - M.F. (Edited) is Don Rader’s clever Latin tune that was arranged for and recorded by the Maynard Ferguson Band on the Roulette CD Si! Si! - M.F.

Crunch is yet another brilliant original in the growing, much-admired catalog of Patty Darling. It is set in a somewhat laid-back swing feel with solos space for trumpet, baritone saxophone, trombone and bass.

Sweet Spot, one of Bill Holman’s originals written for his own band (a feature for the late Carl Saunders) starts out easy with a cool vamp-like intro leading into the trumpet solo.

Fully re-done in Finale notation! This chart was based on the music of Blood Sweat and Tears.

Fully re-done in Finale notation! Exactly as recorded on the CD "Stan Kenton Plays Chicago,"

Fully re-done in Finale notation! Written in memory of Stan Kenton.

Due to Covid-19 The Bob Curnow Big Band was not able to record this piece live. What you will hear is a Finale midi playback. We ask your understanding and look forward to being able to provide a recording of the great Curnow Big Band in the near future

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Rich gives us a wonderful, swinging samba featuring tenor sax and trombone. What a great, refreshing take on the big band samba this is. Moderate ranges for all makes this a very accessible chart for most bands, although this requires a rhythm section that can cook together and drive this chart. Sierra Music is very proud to publish this one. 5-4-4-4 $65.00

Due to Covid-19 The Bob Curnow Big Band was not able to record this piece live. What you will hear is a Finale midi playback. We ask your understanding and look forward to being able to provide a recording of the great Curnow Big Band in the near future.

Hear The Music! See The Music!

Bob Curnow has taken the brilliant arrangements done for the Stan Kenton Orchestra by Ralph Charmichael and created a medley of fresh, modern versions containing Angels We Have Heard on High, The Holly and the Ivy, O, Tannenbaum and Good King Wenceslas. He then arranged these wonderful carols for standard big band instrumentation (5 saxophones, 4 trumpets, 4 trombones, piano, guitar, bass and drums.) 5-4-4-4 $65.00

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This is one of the most popular charts on the “Jazz Compositions of Dee Barton” recording by the Stan Kenton Orchestra. This is an edited version arranged for standard big band instrumentation (works great). Starting lightly with unison saxophones, in a lilting, bright, swinging ¾, the chart then adds brass backgrounds, growing in intensity and leading to the trumpet solo. That solo is then followed by some of the coolest (and most challenging) ensemble writing ever. There is a good bit of unison line playing by everyone in the band. The drums then bring the full band into a shout chorus that lifts you out of your chair. There is a return to the lighter side for a bit and then back to the roaring shout. It all finishes with a cute piano finish on sol do (those solfeggio classes finally came in handy). 5-4-4-4 $ 65.00

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This is one of the most popular charts on the “Jazz Compositions of Dee Barton” recording by the Stan Kenton Orchestra. This is the original arrangement as recorded by Kenton. There is an edited version arranged for standard big band instrumentation. Starting lightly with unison saxophones, in a lilting, bright, swinging ¾, the chart then adds brass backgrounds, growing in intensity and leading to the trumpet solo. That solo is then followed by some of the coolest (and most challenging) ensemble writing ever. There is a good bit of unison line playing by everyone in the band. The drums then bring the full band into a shout chorus that lifts you out of your chair. There is a return to the lighter side for a bit and then back to the roaring shout. It all finishes with a cute piano finish on sol do (those solfeggio classes finally came in handy). (Standard 5 saxophones, 5 trumpets, 4 trombones, tuba, piano, bass and drums) 5-5-5-3 $ 65.00

Hear The Music! (This audio is the UNEDITED version, and slightly different than the notes of this chart) See The Music!

Of all the arrangements done of this iconic Strayhorn/Ellington standard, Don Sebesky’s chart, written for the Maynard Ferguson Orchestra (and recorded numerous times) ranks as one of the best, most creative and challenging versions. Bob Curnow has complimented the chart by scoring it for standard big band instrumentation (5 saxophones, 4 trumpets, 4 trombones, piano, bass and drums.) This one really moves, and it will move your band and audiences. 5-4-4-3 $65.00

Due to Covid-19 The Bob Curnow Big Band was not able to record this piece live. What you will hear is a Finale midi playback. We ask your understanding and look forward to being able to provide a recording of the great Curnow Big Band in the near future

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For the last few years, Rich DeRosa has been writing the most wonderful, original charts based on the most revered Christmas carols and songs. Those charts are some of Sierra Music’s best selling music. Here is yet another sensational arrangement for your Jazz Christmas concert. The arrangement features a great deal of beautifully constructed lines that sweep through the music. The counterpoint and the ensemble writing will thrill you without a doubt. Solos space is provided for piano and guitar, or it could easily be assigned elsewhere. The ending is terrific, full of cascading figures and gorgeous chords. You will be happy to have this in your library for yearly performances. 5-4-4-4 $65.00

This great arrangement by Eric Miyashiro of Mike Mainieri's "Trains" is a chart that is performed beautifully by the Blue Note Tokyo All-Star Jazz Orchestra with guests Peter Erskine & Bob James.

Bob Curnow has created an arrangement of Les Hooper's brilliant opening theme from a longer setting titled Dorian Blue. The chart is a trumpet solo throughout, offering an exceptional opportunity to feature your trumpet soloist. 5-4-4-3

Patty Darling hits another home run with her magnificent original, written as a tribute to Bob Curnow. This delightful and powerful piece features soprano saxophone. 5-4-4-4

The Tenth Planet is built around today’s fascination with our universe and beyond. Be prepared to surprise and please your band and audiences with something that is fresh and different. 5-5-5-5

The Rise and Fall of a Short Fugue was written for and recorded by the Stan Kenton Orchestra on the CD “Stan Kenton Plays Chicago” on the Creative World label. 5-5-5-3 w/flute doubles

Tiburon was written by the late, great composer/arranger Bill Holman. It is recorded on the album Kenton ’76. 5-5-5-3

Commissioned by the IAJE Pennsylvania State Unit for the PA All-State Jazz Ensemble.   5-4-4-4

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The brilliant Rich DeRosa wrote this extraordinary original piece for the North Texas One O’Clock Lab Band. It is recorded on the CD “ Lab 2018.” There are solos for soprano sax and piano. Sierra Music decided to publish this because it is one of the most original, exciting and ground-breaking pieces to be written for big band in a long time. This is definitely music for a mature band. Once you hear this, you will want your band to play it. Thank you Rich for keeping the jazz ensemble literature so beautiful. 5-5-5-4 $75.00

Celebrating 45 years of Sierra Music! Based on a traditional Bulgarian folk song, this extensive work (in the same vein as The First Circle) is guaranteed to get your band and your audiences excited.

This great arrangement by Eric Miyashiro of Mike Mainieri's "Trains" is a chart that is performed beautifully by the Blue Note Tokyo All-Star Jazz Orchestra with guests Peter Erskine & Bob James.